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Transitioning from Point-and-Shoot to DSLR: Understanding Full Frame vs Crop Frame Sensors
Posted By Alex On April 3, 2013 @ 7:00 am In Photo Tips | No Comments
Today’s guest blog post is from our trusted friends at BorrowLenses.com  the premier destination for photographic and video equipment rentals. Whether you want to get the most out of your experience with point-and-shoot cameras  or would like to learn more before upgrading to a digital SLR camera  the following article will help you understand sensor size and how it can be a factor in your photography. We also hope that this information has better equipped you with the knowledge you will need to help you successful choose your next camera.
What is a Sensor?
Every digital camera, even your point-and-shoot, has a sensor inside of it. In the simplest of terms, all these sensors do is convert an optical image (light) into an electronic signal which can be read as digital information–an image you download and can see, edit, and share. Your point-and-shoots have tiny, little sensors inside of them and for the most part they do a good job of converting light into digital information you can use–a photograph!
Some of you may have heard people carry on about the “size” of their camera’s sensors. The reason they care about this is because dynamic range  and low-light sensitivity generally improves as the size of the sensor increases.
Defining Crop Sensors and Full Frame Sensors
A piece of 35mm film measures approximately 36 x 24mm in size, and that’s the size of the sensor in Full Frame cameras like the Nikon D4  and the Canon 5D Mark III . Full frame sensor cameras are among some of the most expensive DSLRs you can buy.
35 mm (1.4 in) wide film (36×24 mm). Image courtesy of Wikipedia .
However, you can buy a DSLR camera with small sensor and still experience much greater image quality than you can from your average point-and-shoot. Cameras like the Nikon D7100  and the Sony A77  have APS-C-sized (or “cropped”) sensors that measure about 23.6 x 15.7mm (this varies slightly among manufacturers) vs the average point-and-shoot sensor which runs about 11mms when measured diagonally.
Something else you should know about Crop Sensor Cameras
One of the fun things about advancing from your point-and-shoot to a DSLR is the ability to change out your lens. Lens types are described in two ways: focal length (size of the lens) and max aperture .
The max aperture, the f/stop reading when the lens is “wide open”, stays the same regardless of camera. Shooting at f/1.2 is the same no matter what kind of camera you use. You are letting in more light than when the lens is set to shoot at f/8.
The focal length of a lens, however, is subjective. On a Full Frame camera, like the Canon 5D Mark III  or Nikon D800 , a 50mm lens is a 50mm lens. That’s because the focal length of the lens is measured based on the standard 35mm film size–a size that lenses are built to accommodate.
However, on a Crop Sensor camera, like the Nikon D7100  or Canon T4i , your 50mm lens becomes, effectively, 75mm lens (sometimes even 80mm if the sensor is even smaller). Since the sensor is smaller, it’s only seeing a portion of the image the lens is trying to project onto it. In effect, the smaller sensor is “cropping” the image being transmitted to it by the lens – hence the term Crop Sensor.
Sometimes you will hear the term “Magnification Factor” when referring to Crop Sensor cameras and the effect they have on perceived lens length. The lens isn’t shooting at a focal length that is any longer than what the lens actually is. The image appears magnified on the smaller sensor producing a narrower angle of view.
A Full Frame sensor (35mm) sees the entire tree. The Cropped Sensor sees only part of the tree. The lens remains the same but the angle of view, and what we see in the final image, is different. Image courtesy of Wikipedia .
So Crop Sensor Cameras are Worse than Full Frame Cameras?
Not necessarily. Sure, Full Frame DSLRs are receiving more information than Crop Sensor ones are and they certainly make the math on what lens to choose a no-brainer. But some photographers strategically choose Crop Sensor over Full Frame.
For one, Crop Sensor cameras tend to be cheaper but still pack a lot of quality punch, Nikon’s D7100  and Canon’s 60D  being notable examples. Also, photographers who like doing telephoto photography enjoy the extra bump having a Crop Sensor gives to the lenses they use. If you are out birding, having a 70-200mm lens read like a 112-320mm (or thereabouts) lens is certainly a good thing! And, above all, even a Crop Sensor DSLR is going to provide a huge jump in quality for the average point-and-shoot user.
I’m Using a Crop Sensor Camera – How Do I Figure Out the “Length” of my Lens?
Warning: math. However, it is very easy math. If you know you have a Crop Sensor camera and it is a Canon, you can multiply your lens’ length by 1.6. For Nikon and Sony, it is 1.5. There are only two exceptions to this rule and that is for the Canon 1D Mark III  and the Canon 1D Mark IV, for which you use 1.3.
24 x 1.6 = 38.4
70 x 1.6 = 112
Your 24-70mm lens just became a nearly 40-112mm lens!
This is good to know because if you are shooting a wedding and you are in a very small chapel, the 24mm would be perfect but having nearly 40mms instead might be too tight to capture the scene. However, if you are shooting from the balcony and need to photograph the couple’s kiss, 112mms is likely more useful than 70mms.
So, in short, as a general rule: Crop Sensor cameras make lenses appear less wide than they say and also longer than what they say. This is one of the appealing things about a Full Frame camera–what you see is what you get in terms of lens focal length.
We hope this gives you a better understanding of what a Crop Sensor camera will mean for your lens selection versus a Full Frame camera. We also hope that this information has better equipped you with the knowledge you will need to help you successful choose your next camera.
BorrowLenses.com is the Internet’s premiere destination for photographic and video equipment rentals. Founded in San Mateo, California, the site has been providing professional and amateur photographers and videographers with the opportunity to rent professional photo, video and audio equipment for the past six years. With an emphasis on stellar customer service, BorrowLenses.com has maintained high ratings on Yelp (4.5/5 stars) and Reseller Ratings (10/10). BorrowLenses.com is committed to advancing customer’s photographic and cinematic dreams by delivering superior, cutting-edge gear and providing exceptional customer service.
Article printed from Picture More: http://blog.shutterfly.com
URL to article: http://blog.shutterfly.com/13230/transitioning-from-point-and-shoot-to-dslr-understanding-full-frame-vs-crop-frame-sensors/
URLs in this post:
Today’s guest blog post is from our trusted friends at BorrowLenses.com: http://www.pinterest.com/pin/create/button/?url=http%3A%2F%2Fblog.shutterfly.com%2F13230%2Ftransitioning-from-point-and-shoot-to-dslr-understanding-full-frame-vs-crop-frame-sensors%2F&media=http%3A%2F%2Fblog.shutterfly.com%2Fwp-content%2Fuploads%2FSensorComparison-11.jpg&description=Transitioning%20from%20Point-and-Shoot%20to%20DSLR%3A%20Understanding%20Full%20Frame%20vs%20Crop%20Frame%20Sensors
 point-and-shoot cameras: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fcategory%2Fpoint_and_shoot&sa=D&sntz=1&usg=AFQjCNFsOZkeJKrk3E9DRd0IfyqEoB_3FA
 digital SLR camera: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2FAdvancedSearch.do%3FsearchString%3Ddslr&sa=D&sntz=1&usg=AFQjCNEOVcwsB-C1DAl10e3SaqtI5UY7ww
 dynamic range: http://www.google.com/url?q=http%3A%2F%2Fwww.jmg-galleries.com%2Fblog%2F2007%2F08%2F08%2Fphoto-term-series-15-dynamic-range%2F&sa=D&sntz=1&usg=AFQjCNHNV-MAXJjQbiGSgF3uDFQW1MOWpA
 Nikon D4: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FNikon_d4&sa=D&sntz=1&usg=AFQjCNHFoS6Dos_NjSx_lIZr0YQkLCE0tg
 Canon 5D Mark III: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FCanon_5DIII&sa=D&sntz=1&usg=AFQjCNF4GIynkk__qkJhNGWoKitGDizCHg
 Wikipedia: http://en.wikipedia.org/wiki/File:135film.jpg
 Nikon D7100: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FNikon_D7100_Digital_SLR&sa=D&sntz=1&usg=AFQjCNGtvCX3VY1vcqInq2JelXxtmpJ04w
 Sony A77: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FSony_A77&sa=D&sntz=1&usg=AFQjCNEPC5nfoOHv-X2kCNVIYJcdev5B4Q
 aperture: http://www.google.com/url?q=http%3A%2F%2Fwww.jmg-galleries.com%2Fblog%2F2007%2F04%2F07%2Fphoto-term-series-post-5-aperture%2F&sa=D&sntz=1&usg=AFQjCNEPLNIuIWDVyi5fehIkWpNFBOTMOw
 Nikon D800: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FNikon_d800&sa=D&sntz=1&usg=AFQjCNFQYMX07ULxFudEua58kfid1BMYPQ
 Canon T4i: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FCanon_EOS_Rebel_T4i_Digital_SLR&sa=D&sntz=1&usg=AFQjCNE2LzHYywYJ-p0avt5_h9v3O-veyw
 Wikipedia: http://en.wikipedia.org/wiki/File:LensCropFactor.png
 Canon’s 60D: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FCanon_60D&sa=D&sntz=1&usg=AFQjCNFYoAHxXV779ORlERWQaqRND41ICA
 Canon 1D Mark III: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FCanon_EOS_1D_Mk_IV&sa=D&sntz=1&usg=AFQjCNHzBxO9wp_Gx-WSj0em6NRVJcstDw
 Canon 24-70: http://www.google.com/url?q=http%3A%2F%2Fwww.borrowlenses.com%2Fproduct%2FCanon_24-70mm_f2.8_L_II&sa=D&sntz=1&usg=AFQjCNG2yIpeqH9yk49kw0RRaPfeJoBlew
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