Graduation ceremonies are among the more difficult events to capture. You are often in large, dark gyms or out on a football field in the mid-afternoon sun – nightmarish shooting conditions! Here are 5 tips for taking better pictures of a commencement and of your graduate.
1. Scout Ahead of Time and Arrive Early – If you can get access to the place where the ceremony is occurring, visit it ahead of time and take some shots with a variety of lenses. This will allow you to get to know the gear you might not be used to shooting with, such as telephoto lenses.
You don’t need a lens quite this big to shoot a graduation – you have to consider other people, after all. However, a long lens will be beneficial, especially during diploma/degree acceptance. ©Derick Santos
2. Plan with Your Graduate – In a sea of like-dressed students, finding yours will be difficult. Form a plan with your graduate so that they jump during a certain time (when appropriate, text each other). Tell them where you are going to be sitting so they know where to look and where to wave.
Think of clever ways to make your graduate stand out in the crowd. Form a plan together. ©Derick Santos
When appropriate, text your graduate and tell them to wave – even if for just 1 shot. ©Scott Roeder
Depending on the mood and revelry of the occasion, family members can develop creative ways for grabbing your graduate’s attention. ©Scott Roeder
Let your graduate know where you plan on sitting in the audience so they know where to wave. ©Amanda Long
3. Weigh the Pros and Cons of Certain Lenses – Long lenses allow you to get close-up shots of the ceremony without interrupting it. However, make sure you aren’t interrupting the audience while you’re shooting.
Prime lenses, or lenses with only 1 (fixed) focal length, tend to be better for low-light situations and for pleasing blurry backgrounds (“bokeh”) by virtue of their wide f/stops. However, being stuck at one focal length means you have to actually approach your subject rather than just “zoom” to them with your lens. Examples of these kinds of lenses include the Canon 50mm f/1.2, the Nikon 35mm f/1.4, and the Sony 50mm f/1.4.
Minimize your background with the creamy “bokeh” produced from wide-open f/stops. A good example is the Canon 85mm, which shoots as low as f/1.2. This is also helpful in low light or shooting in pesky shadows. ©Becky Ravenburg Reed
Here is another example where shooting at a low f/stop to produce a blurred background effect is beneficial in minimizing a distracting background while still keeping your scene in context. ©Becky Ravenburg Reed
4. Mind Your Background – Graduations are frenetic and it is hard to get a clean shot without tons of people milling about in the background. To combat that, shoot in areas where there are not a lot of people, such as alcoves. Also, don’t be afraid to crop in tight for tight photograph of your grad. Close-ups make for nice keepsakes and they minimize the background.
5. Get Creative: Fun Poses and Candids – Jumping, laughing, walking – capturing the action of the day is key, even if they don’t feel like very traditional shots. Odds are, these kinds of shots will end up being your favorites over the ones taken during the ceremony itself. Shoot with a faster shutter and you’ll be set to freeze any moment!
Listen for burgeoning battle cries, school chants, and explosions of applause – these candids make for great memories. ©Elizabeth Friar
Find a nice spot on campus to shoot a couple of fun jumping scenes. ©Scott Roeder
Looking at the camera is not always a requirement. Candids like these feel real and in-the-moment. ©Case Sandburg
Think of yourself as your graduate’s photojournalist for the day. ©Scott Roeder
The most important advice of all: have fun! ©Derick Santos
We hope these tips help you get the most out of the event you are shooting. Plan ahead and seize opportunities no matter what the conditions are to capture your new favorite picture to have printed, put on a card, or made into a favorite keepsake.
Visit Shutterfly for stylish graduation announcements and invitations.
About The Author – Alex Huff is a veteran BorrowLenses.com employee of 5 years, Alexandria Huff began her career in shipping and motorsports photography. She is now a marketing coordinator and studio portrait photographer with her own signature “chiaroscuro” style. Her favorite BL rentals include the Leica M9, all Voigtlander lenses, and the Canon MP-E 65mm Macro. Profoto and Nikon are her preferred brands for everyday shooting and she teaches lighting to beginners in workshops and one-on-one. Her tutorials can be found here on Shutterfly, on the BorrowLenses Blog, and on her own blog.